Your ceramics have a strong influence of Japanese craftsmanship and philosophy. After spending a season in Japan, you returned to A Coruña. Do you think that the north, especially Galicia, influences the shapes and colors of your pieces?
Yes, I went to Japan where I learned the value that a piece of pottery can have. Over there, pottery is quite serious and respected, whether it’s a functional piece for daily use or an artistic piece. Today, my work is strongly influenced by where I live: the Galician landscape, the Atlantic, the rocks with their shapes and tones... many times they're my references and my starting point.
Your latest work (Lítica, for example) is very connected to your roots, the sea, movement... do you find that you increasingly feel the need to create pieces that speak beyond their function?
Yes. As I mentioned, I studied artistic ceramics. In school, they taught me all the techniques for creating a piece of pottery: coils, slabs, the wheel, slip casting, etc. They gave me that solid skill base so that I could then be the one to decide what I wanted to make. I suppose that my earlier education as a philologist and my fascination with dance have given me this growing desire to create and share my very personal way of understanding contemporary ceramics with others.
Know more about Veronica Moar work here.