What inspired you to create Benita's design and how did you relate it to Naguisa's vision?
Like the name I chose for the model, the inspiration came from my grandmother and the type of shoes I always saw her wearing, never standing still, during the summers in the village. The most direct connection with Naguisa is in the sense of being a comfortable and functional shoe, but it lacked the plus of design, of course. On the other hand, I always related Naguisa with its espadrilles and that rural air that esparto grass has closed the circle and the idea.
What challenges did you face during the development of the Benita prototype?
The most complicated part was developing the buckle and figuring out how it could really work. Although the base was a standard buckle, like the ones found on the fasteners of some backpacks or clothing, adjusting its function to a constant movement, such as walking, and to a different anatomy, the foot, was a bit more complicated. The idea of being a 3D printed piece might not help a lot to work, but Maria did a great job adjusting dimensions, thickness and design to make it close to something feasible.