You define your music as ‘cambra pop.’ You invented this term yourself, but how would you define yourselves? What are your influences?
Anna: It’s an idea that occurred to us a few years ago, and is a simple way of saying that we try to play together and emotionally influence each other on stage, looking after each other when we are playing. When I first saw Marina play with her string octet, I became aware of the difference between playing at the same time and playing together; I saw how they breathed, how they indicated leads with a gesture, it really impacted me. So, despite the distance, that is what we try to apply to our own project.
What inspires you when writing and composing your songs?
Anna: this is the area I focus on for months at a time until I finally show Marina what I’ve been working on and we start building out everything else that isn’t vocals and guitar. I don’t typically have a clear idea when composing, it’s more like an image in my mind. The idea takes shape as I simultaneously make progress on the lyrics and melody, and they mutually influence each other. It’s kind of like unearthing something that already exists. I have to remove the earth and sand from around it, only then I can start polishing it.