Baldomero, collage of a lifetime.

Goodbye to another summer at sea. The time has come to step onto the asphalt again, to recover that more formal identity and enjoy autumn. A season that allows us to immerse ourselves in the search for shelter and open up new paths between valleys full of fallen leaves in earth and fire colours. In search of the fervour of that which gives us shelter.

City life also offers us a place to take refuge, where all traces of artifice disappear and we feel at home. Baldomero is that dwelling. Crossing its portico is like being transported to a quiet and welcoming village, a farmhouse, a bohemian retreat that could once have been the home of Lee Krasner or Helen Frankenthaler.

If you close your eyes over a comforting cup of coffee, Baldomero is that house facing the sea, surrounded by tall pine trees, built in the 1920s. Renovated and expanded over the years, but still preserving its modest staircase, its wooden moldings and its vast charm.

The crepe pink of its walls highlights the disciplined eclecticism of this place owned by someone who goes out of his way to host, meet and entertain. Its interior, a mix of modern and old, reflects the belief of a timeless place. The same essence that Naguisa recovers in each of his collections.

The homely aroma emanating from the countertop filled with earthenware pots fuels the fantasy that, behind those walls, vegetables are plucked from the garden and thrown onto the grill, and bay leaves decorate some porcelain relic in the kitchen.

With a firm step, we walk comfortably alongside Bielsa , Ger , Urús , Das and Bellver . The aesthetic sensitivity of the collection seems linked to this homely project. Its originality and the warm nuances of its decoration remind us of those features worthy of a great contemporary work.

Delicate and elegant, but with the relaxed style of a country house, Baldomero's interiors are, like VALL , the collage of a lifetime.