It’s not unusual to spot Marta Jiménez Serrano wearing a pair of Naguisa shoes. And we won’t deny it: every time it happens, it makes us especially happy. We’re great admirers of her books.  A writer and poet, Marta has spent years putting words to what we feel and think but don’t always know how to explain. As our paths cross once again, this time around GLORIA, we wanted to ask her a few questions.

Not everyone lets you get to know them all at once. GLORIA doesn’t either. She prefers to reveal herself little by little. Through the places she goes, the objects she keeps, the way she dresses, or the shoes she chooses to walk in. This magazine invites you to discover her.

Designer Amalia Puga opens the doors of her studio in A Guarda, where she has found the raw material with which to build her own language. Her work is born from a dialogue with the redeiras, women who for generations have woven, repaired, and cared for fishing nets. Together with them, Amalia transforms this artisanal knowledge into contemporary pieces that speak of memory, territory, and future, demonstrating that innovating can also mean returning to the origin.

At Naguisa, the important moments almost always happen close to the Mediterranean. Perhaps because it’s where many of our ideas are born, or because we share with it a particular way of understanding time, gathering, and the beauty of everyday life.

Caravan Made was born from an object. A 70s caravan that appeared one Monday and changed everything. A mixture of passion, a certain recklessness, and youth.

We arrived in the morning, when the town still held that early-hour stillness. The cafes were slowly opening. Locals strolled along the promenade, and shutters were gradually rising in the sun on one of the first warm days of the year. Celia was waiting for us by the sea.

There’s something truly special about knowing you chose us for a day like this. When you search for comfortable wedding shoes or those wedding guest shoes that can last all night, what you’re really doing is trusting how you’re going to feel. And for us, that’s never just a small detail; it means being part of a moment thatwon’t happen twice, one you’ll carry with you forever.

Did you know there are ways to travel without a ticket? Close to the ground. Step by step. Naguisa's "La Lonja" collection offers exactly that: a costal journey translated into women's summer footwear, with each design serving as a stop along the way.

The name Naguisa (næˈgiːza) comes from Japanese and describes a precise, fleeting gesture: theline drawn by sea foam as it retreats along the shore. A delicate trace thatappears and disappears with every wave. This image captures the essence of thebrand.  Naguisa was founded in the summer of 2012 on the shores of the Mediterranean Sea, and since then, our collections have maintained a close dialogue with the sea, its rhythm, its light, and the hands that work beside it. The La Lonja SS26 collection grows from that same observation.

The season hasn’t shifted yet, but something inside us already has. Outside, the rain lingers, the clouds refuse to break, and winter stretches on longer than we’d like… and still, the urge appears: the urge to begin again, to feel lighter, to welcome back the promise of light. In that space between what still is and what we’re already imagining, Pre-Spring emerges, an early glimpse of the upcoming La Lonja spring–summer collection.

At Naguisa, we believe in crafts that move slowly and in the hands that shape the everyday. That’s why it meant so much to us when Iona Palau welcomed us into her studio at Can Ginestar in Sant Just Desvern, where she teaches and, wearing her ABRA boots, shared part of her creative process: the calm of each gesture, the patience of the wheel, and her relationship with clay. With her, we talked about what it means to create through process, how ceramics teaches us to look more slowly, and why returning to territory, to material, to craft remains a deeply contemporary way of moving forward.

At Naguisa, we believe in crafts that move slowly and in the hands that shape the everyday. That’s why it meant so much to us when Iona Palau welcomed us into her studio at Can Ginestar in Sant Just Desvern, where she teaches and, wearing her ABRA boots, shared part of her creative process: the calm of each gesture, the patience of the wheel, and her relationship with clay. With her, we talked about what it means to create through process, how ceramics teaches us to look more slowly, and why returning to territory, to material, to craft remains a deeply contemporary way of moving forward.

Each year, as the air begins to cool and the first leaves crunch underfoot, ankle boots reclaim their place in the wardrobe. They are a true essential — the kind of footwear that marks the beginning of a new season and, at the same time, a small object of desire. Something in their silhouette signals change and awakens the pleasure of getting dressed with intention. Among our designs, there are four interpretations of that everyday gesture: ELUR , BIELDO , BINA , ERA, ANNA .

Autumn can be recognized by touch: the softness of corduroy, the warmth of suede, the gentle weight of shorter days. It’s a season of layers, of fabrics that invite contact and colors that fade with grace. Among those layers that define the season, three shoes move naturally through it: Lavinia, Borago, and Khov.

CARMEN: the new way to wear a classic. There are classics that never truly go away. They just wait for their moment to return with even more force. And now it's the turn of Oxford shoes, which have been making a comeback since the 2000s, marking the beginning of a relaxed elegance that slips into everyday looks without making a fuss, but leaving a lasting impression.

Between the technical and the feminine. If anything defines us at Naguisa, it's comfort. A comfort that knows no seasons or trends, but knows how to adapt to them. And if there's one trend we're loving right now, it's the "sneaker"—that fusion of a sports shoe and a ballet flat that combines the technical with the feminine.

BEC, your everyday companion. Some days begin before dawn and end long after the last coffee. Long days, full of everyday gestures and unexpected moments. To accompany you through this coming and going, BEC was born: a ballet flat with a versatile soul and an artisan spirit.

LEONORA was born in our workshop, in that dreamy pursuit of total comfort. A design that stems from the desire to pause, to step firmly yet gently, to let the body find its place so the mind can travel.

In Artesana, our Fall/Winter 25/26 collection, we listened to the material and let it be our guide. There's something profoundly human about touching what surrounds us: the objects we treasure, the things we create, the materials we shape with our hands.

There's something profoundly human about touching what surrounds us: the objects we treasure, the things we create, the materials we shape with our hands. The AW25/26 Artesana collection is a dialogue between tradition and innovation, between the expert hand and the material. As Anni Albers said: "We touch things to make sure they're real."

Sometimes, all you have to do is open the drawers in the workshop to discover a universe of memories. This season, at Naguisa, we came across some leathers that were part of our past collections: a forest green that smells of the countryside, a deep blue like summer nights, a sparkling lime that brings smiles, and a natural that never goes out of style.

There are fabrics that evoke entire seasons. Mesh is one of them. Light, open, evocative. It has the power to make us think of warm breezes, of lengthening afternoons, of sun-kissed skin.

At Naguisa , we believe in bonds that are woven slowly, with the delicacy of handmade. Like our espadrilles, which are the result of a craft passed down from generation to generation, the bonds between mothers and daughters are also built with simple gestures and passed-on knowledge: a recipe, a trick, or a piece of advice. 

At Naguisa, we understand changing your wardrobe as a small ritual. That's why, this season, we want to accompany you in this renewal process. To make it easier (and more beautiful), we've turned to someone we trust deeply: Carola, from IVORI . She understands fashion as an extension of who we are, and her approach combines sensitivity, functionality, and an aesthetic that's in tune with our philosophy.

At Naguisa, we believe that espadrilles are an extension of who we are and how we inhabit the world. Conceived by the minds and hands of Pablo and Claudia, the founders of Naguisa, these three models are our own reinterpretation of the classic jelly sandal. We wanted to create something that drew from tradition, yet stepped confidently into the contemporary.

Twelve summers ago, a clear idea was born in the studio: to reinterpret the ribbon espadrille from a contemporary perspective, without losing respect for the process and materials that make it unique. Since then, SOC has walked with us season after season, delicately transforming, maintaining its identity, and adding new ways of being.

We invite you to discover the La Payesa universe, our new SS25 collection, exclusively in a unique event that will take you to the heart of our inspiration and creativity.

The creative process of La Payesa began long before the first sketch took shape. In our studio, the walls were filled with images evoking the rural world: fields in different seasons, hands tanned by the earth, colorful fabrics fluttering in the breeze, baskets of freshly harvested fruits and vegetables.

At Naguisa, this season, we have designed a special selection so that you can find the perfect pair according to your style and needs. The wedding dress is the star, but the shoes are the detail that ties the whole look together. They should not only be pretty, but also comfortable to accompany you in every step of your big day.

We delve into the world of Camille Gressier and Isabelle Laydier Kristensen, founders of Blumenhaus Magazine , a magazine that fuses art, fashion and botany in a unique project. With a creative vision and passion for nature, they have managed to turn their love for botanicals into a publication carefully crafted to the last detail, where each issue is a timeless source of inspiration. Today, we are proud to discover their creative process and how Blumenhaus has managed to establish itself as a reference for lovers of beauty and natural art.